6\/25\u51fa\u520a\u7684San Antonio Current \u9031\u5831\u5c01\u9762\uff0c\u88ab\u9078\u4e2d\u70ba\u8a72\u5e02\u7576\u4ee3\u85dd\u8853\u6708\uff08Contemporary Art Month, \u7c21\u7a31CAM, \u6bcf\u5e747\u6708\u8209\u8fa6\uff09\u65b0\u805e\u4ee3\u8868\u4f5c\u54c1\uff0c\u5c31\u662f\u672c\u4eba\u5728\u4e0b\u6211\u7684\u3002<\/p>\n
<\/div>\n
\u6211\u5728San Antonio\u7684\u500b\u5c55\u65bc\u5ba3\u50b3\u65b9\u9762\u53ef\u8b02\u5927\u7372\u6210\u529f\u3002\u9664\u4e86\u4f5c\u54c1\u767b\u4e0a\u9031\u5831\u5c01\u9762\uff0d\u9806\u4fbf\u8aaa\u660e\u4e00\u4e0b\uff0cSan Antonio Current \u662f\u504f\u91cd\u751f\u6d3b\u5a1b\u6a02\u6d88\u606f\u7684\u514d\u8cbb\u5831\u7d19\uff0c\u884c\u8e64\u904d\u4f48\u5404\u500b\u516c\u5171\u5834\u6240\u7684\u5831\u67b6\uff0c\u56e0\u6b64\u5728\u90a3\u4e00\u9031\uff086\/25-7\/1\uff09\u6211\u5230\u6bcf\u500b\u9910\u5ef3\u9152\u5427\u90fd\u770b\u5f97\u5230\u81ea\u5df1\u7684\u4f5c\u54c1\uff0d\u958b\u5e55\u7576\u5929\u53c3\u89c0\u7684\u4eba\u975e\u5e38\u591a\uff0c\u5927\u5bb6\u90fd\u5f88\u559c\u6b61\u6211\u7684\u4f5c\u54c1\uff0c\u751a\u81f3\u6709\u4e9b\u4eba\u611f\u8b1d\u6211\u5230\u90a3\u5152\u5c55\u89bd\uff5e\u6709\u9ede\u53d7\u5bf5\u82e5\u9a5a\uff0c\u5475\u5475\u3002\u672c\u9031\u7576\u5730\u5169\u5927\u5831\u7d19\u53c8\u9678\u7e8c\u6709\u6211\u5c55\u89bd\u7684\u8a55\u8ad6\u5831\u5c0e\u51fa\u4f86\uff0d\u9031\u4e09\u51fa\u520a\u7684San Antonio Current\uff0c\u4ee5\u53ca\u5c07\u65bc\u9031\u65e5\u520a\u51fa\u4f46\u6587\u7ae0\u5df2\u5148\u8cbc\u5728\u7db2\u4e0a\u7684San Antonio Express-News\uff08\u7576\u5730\u6700\u5927\u7684\u65e5\u5831\uff0c\u76f8\u7576\u65bc\u53f0\u7063\u7684\u806f\u5408\u5831\uff09\u3002\u7f8e\u570b\u5831\u7d19\u7684\u85dd\u8853\u5831\u5c0e\/\u8a55\u8ad6\u548c\u4e2d\u570b\u4e0d\u4e00\u6a23\uff0c\u4e0d\u662f\u7d66\u9322\u4eba\u5bb6\u5c31\u6703\u5831\u7684\uff0c\u800c\u8981\u4f5c\u8005\u8a8d\u70ba\u5c55\u89bd\u672c\u8eab\u6709\u503c\u5f97\u5831\u5c0e\u4e4b\u8655\u3002\u63db\u8a00\u4e4b\uff0c\u4f5c\u70ba\u4e00\u500b\u5c0d\u7576\u5730\u4eba\u4f86\u8aaa\u7c4d\u7c4d\u7121\u540d\u7684\u570b\u5916\u85dd\u8853\u5bb6\uff0c\u6211\u6191\u8457\u5be6\u529b\uff0d\u800c\u975e\u91d1\u9322\u8207\u95dc\u4fc2\uff0d\u8d0f\u5f97\u773e\u4eba\u7684\u8a8d\u53ef\u3002\u6211\u4e00\u8cab\u5805\u6301\u201c\u8b93\u4f5c\u54c1\u8aaa\u8a71\u201c\uff1b\u5982\u4eca\u6211\u4f5c\u54c1\u7684\u8072\u97f3\uff0c\u5df2\u97ff\u904dSan Antonio\u3002<\/p>\n
\u5169\u7bc7\u5831\u5c0e\u88e1\u95dc\u65bc\u6211\u5c55\u89bd\u7684\u6587\u5b57\u9304\u65bc\u5f8c\u3002<\/p>\n
***San Antonio Current***<\/p>\n
THE ART CAPADES<\/p>\n
CAM 2008: \u2018Equivocal Topographies,\u2019 \u2018Story\u2019, and \u2018Binocular Rivalry\u2019 –by Emily Seale<\/p>\n
…<\/p>\n
The fanciful, mysterious nature of Penn\u2019s and Lowe\u2019s work is echoed in Min-Tse Chen\u2019s Story at Joan Grona Gallery. Curator Kimberly Aubuchon met the artist, who was born in Taiwan and currently works in Beijing, when they both attended The Art Institute of Chicago. The influence of Asian calligraphy and narrative art is evident in Chen\u2019s technically impressive drawings, though imaginative imagery propels the work beyond the realm of illustration.<\/p>\n
\u201cExquisite Corpse 1-20\u201d is particularly compelling: Twenty sheets of paper, alternating brown and white, are arranged in a grid under Plexiglas. A large drawing covers them all, though they are offered as 20 separate objects. The imagery is not abstract, but a dreamlike quality makes interpretation virtually impossible. While Chen depicts identifiable subjects, such as a girl morphing into an elephant which she holds up by its ears, they are surreal and incoherent. The bizarreness of each configuration renders the Dadaist title absolutely relevant to this work, and applicable to the rest of the show.
\n…<\/p>\n
***San Antonio Express-News***<\/p>\n
Art Beat<\/p>\n
Review: Min-Tse Chen\/Bill Amundson at Joan Grona –by Dan Goddard<\/p>\n
Min-Tse Chen\/Bill Amundson<\/p>\n
Joan Grona Gallery
\n112 Blue Star, (210) 225-6334
\nThrough Aug. 16<\/p>\n
Curator Kimberly Aubuchon featured the lyrical drawings of Min-Tse Chen in “Goin’ Mobile” at the Blue Star Contemporary Art Center, but this solo show titled “Story” features a lot more of the Chinese artist’s fantastical creatures and dreamlike journeys.<\/p>\n
With a bachelor of fine arts from the School of Art Institute of Chicago, Chen actually works as an engineer in Beijing (NOTE: This is a mistake. I worked as an engineer for several years in the past, but not anymore after moving to Beijing –Mintse), but her drawings are flights of fancy that adhere to few rules of reality. In “Exquisite Corpse,” 20 individual drawings coalesce to form a grid featuring the image of a beautiful woman with blue hair and wearing a flowing kimono. Chen’s languid, flowing lines are probably derived from Chinese calligraphy, which is apparent in a series of small drawings called “Poetic.”<\/p>\n
Almost filling an entire wall of the gallery, “Suite Journey” is the centerpiece, with a long, continuous drawing that seems to follow a man who turns into a flying fish among other adventures. The scroll-like drawing is bounded on the top and bottom by small watercolors, featuring palm trees, masks and nesting dolls.<\/p>\n
Inspired by Chinese children’s stories and maybe science-fiction movies, Chen’s drawings merge the mythology of the East with the postmodern conceptualism of the West. Her work invites and rewards close examination.
\n…<\/p>\n","protected":false},"excerpt":{"rendered":"
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